- Canon EOS 5D Mk III – First Look
- 3 Minutes With Photographer Seshu
- The Benefits Of Adjustment Tool White Balance In Lightroom 4
Posted: 01 Mar 2012 09:09 PM PST  Update: full press release on the Canon 5D Mk III is below. One of the worst kept secrets in the digital camera space at the moment is Canon’s imminent announcement of the Canon 5D Mk III. It’s been rumoured for a long time now and in the last week we’ve seen a lot of ‘leaked’ images and specs hitting blogs around the web.  Most people say tomorrow is the big announcement day but a number of readers alerted us to a page on Canon Asia’s site that had details up on it about the 5D Mk III – but then which took them down.  The gang over at Photography Bay got the screen shots though and here’s what they saw and learned: Specifications: 22.3 Megapixel Full-frame CMOS SensorDelight in images of extraordinary beauty and clarity which only a full-frame sensor can provide.New DIGIC 5+ Imaging ProcessorExpect fast processing, superb tonal gradation and color reproduction from Canon's most advanced processor to date.Class-leading ISO PerformanceSeize creative opportunities in any light with extended ISO coverage from 100 to 25,600 (expandable to 102,400).High Precision 61-point AutofocusStay focused with the high-speed, high-precision 61-point AF system that also excels in low light.Quick-fire 6 fps ShootingCapture split-second action at 22.3 megapixels with continuous shooting speeds of up to 6 frames per second.iFCL 63-zone Metering SensorGet perfect exposure with the iFCL 63-zone dual layer metering sensor that analyses focus, colour and luminance.Enhanced Full HD Movie RecordingExpand your creativity with improved quality Full HD (1080p) movie recording and finer image control.Weather-resistant ConstructionEnjoy reliability in any environment with a rugged dust-proof and water-resistant construction.Intelligent ViewfinderShoot more accurately with a refined viewfinder that offers 100% coverage and a 0.71x magnification ratio.3.2? Clear View LCD IISee your photos in detail on the large 3.2? Clear View LCD II with 1.04 million dot resolution.Dual Memory Card SlotsEnjoy versatile use with dual CompactFlash and SD Card slots.New Lenses & AccessoriesBroaden the capabilities of your EOS 5D Mark III with a wide array of the latest accessories to complete your DSLR experience.Also featured was a new Speedlight flash – the 600EX and Speedlight Transmitter the ST-E3-RT. Here are those specifications:  Speedlite 600EX-RT Key Features
Speedlite Transmitter ST-E3-RT Key Features
Canon 5D Mark III Press ReleaseCanon U.S.A. Announces the Highly Anticipated EOS 5D Mark III Digital SLR CameraFeaturing Improved Image Quality, a 61-Point High Density Reticular AF, Six fps High-Speed Continuous Shooting and Enhanced HD Video Recording Features LAKE SUCCESS, N.Y., March 2, 2012 – On the 25th anniversary of its world-renowned EOS System, Canon U.S.A., Inc., a leader in digital imaging solutions, is proud to announce its latest model, the new EOS 5D Mark III Digital SLR Camera. Positioned between the extremely popular EOS 5D Mark II and Canon's top-of-the-line professional EOS-1D X model, the EOS 5D Mark III delivers superb image quality, thanks to a new 22.3-megapixel full-frame Canon CMOS sensor, a high-performance DIGIC 5+ Imaging Processor, a 61-point High Density Reticular Autofocus (AF) System and six frames-per-second (fps) continuous shooting speed. Building upon the trailblazing success of the EOS 5D Mark II, the EOS 5D Mark III also incorporates enhanced video features for professionals in the fields of cinematography, television production and documentary filmmaking, including better noise reduction, longer recording times and a built-in headphone jack for audio monitoring. The EOS 5D Mark III is Canon's answer to hundreds of thousands of advanced amateurs and emerging professionals looking for a compact, high-quality camera system to help them achieve their artistic vision, whether it be through still or video imagery. The EOS 5D Mark III introduction coincides with Canon's 25th anniversary celebration of the EOS camera system. Canon's award-winning EOS system first debuted in March of 1987 with the introduction of the EOS 650 SLR camera and three EF lenses. "We are extremely excited to announce the highly anticipated follow-up to our EOS 5D Mark II, a camera which has been called a 'game-changer' in most professional photography and videography circles. The EOS 5D Mark III will carry on that tradition, delivering better and more advanced features, helping our customers achieve excellent image quality for stills and video," stated Yuichi Ishizuka, executive vice president and general manager, Imaging Technologies and Communications Group, Canon U.S.A. The EOS 5D Mark III inherits many features from Canon's recently announced flagship DSLR, the EOS-1D X, including a DIGIC 5+ Imaging Processor and a high-performance 61-point High Density Reticular AF array with up to 41 cross-type points and five dual cross-type points available, depending on the lens in use. The enhanced processing power enables fast continuous shooting of up to six fps, exceeding the speed of the EOS 5D Mark II model by more than 50 percent, and with improved weather resistance the EOS 5D Mark III is a serious option for sports and wildlife photographers. EOS 5D Mark III Video: The Legacy ContinuesThe EOS 5D Mark II blazed the trail for EOS cameras and Canon to enter the professional video and cinema markets, paving the way for Canon's recent introduction of the Cinema EOS system of cameras and lenses. Now, the EOS 5D Mark III continues Canon's commitment to these new markets with new and requested features from cinematographers, television production professionals and independent filmmakers. This new model captures 1080p Full HD video at 24p (23.976), 25p, and 30p (29.97) fps; 720p HD recording at 60 (59.94) and 50 fps; and SD recording at 30 (29.97) and 25 fps, giving cinematographers and videographers more flexibility and options for video capture.The EOS 5D Mark III includes new H.264 video compression formats to simplify and speed up post-production work: intraframe (ALL-I) compression for an editing-friendly format and interframe (IPB) compression for superior data storage efficiency, giving professionals options to help achieve their ideal workflow. Like the EOS-1D X, the 5D Mark III also includes two methods of SMPTE-compliant timecode embedding, Rec Run and Free Run, allowing video footage from multiple cameras and separate audio recordings to be synced together in post production. The new full-frame CMOS sensor and DIGIC 5+ processor have enhanced the camera's image processing performance over the 5D Mark II, significantly reducing moir‚ and color artifacts in scenes with horizontal lines. The video footage produced will exhibit less moir‚ than seen in previous DSLR models, resulting in a significant improvement in HD video quality. Accommodating documentary filmmakers, and event videographers using EOS DSLR cameras, the 5D Mark III includes the ability to record video continuously up to 29 minutes and 59 seconds across multiple 4GB files. Long-form filmmakers will enjoy the camera's automatic file splitting in combination with the extended memory capacity offered by dual card slots. The Canon EOS 5D Mark III also includes manual audio level control with 64 levels, adjustable both before and during movie recording. There is also an automatic audio level setting, or sound recording can be turned off entirely. A wind filter is also included. Sound can be recorded either through the internal monaural microphone or via an optional external microphone through the stereo mic input. Notably, the EOS 5D Mark III is the first EOS Digital SLR to feature a built-in headphone jack for real-time audio monitoring during video capture. Newly Developed Canon CMOS SensorWith its completely new 22.3-megapixel full-frame Canon CMOS image sensor, the EOS 5D Mark III becomes the highest resolution Canon Digital SLR released to date. It is eminently suitable for a wide variety of assignments including weddings and portraits, nature and wildlife, travel and landscapes as well as commercial and industrial photography. With a gapless microlens design, a new photodiode structure and improved on-chip noise reduction, the new sensor achieves higher sensitivity and lower noise levels for both RAW image data as well as in-camera JPEGs and EOS Movies compared to the 5D Mark II. The result is outstanding image quality in all shooting conditions, even low light. An eight-channel readout doubles the speed of image data throughput from the sensor to the DIGIC 5+ processor, resulting in better video image quality as well as six fps for still photos.The low-light capability of the EOS 5D Mark III is evident in its incredible ISO range and image quality in poor lighting conditions. Adjustable from ISO 100 to 25,600 within its standard range, the new model also offers a low ISO 50 setting for studio and landscape photography and two extended ISO settings of 51,200 and 102,400, well suited for law enforcement, government or forensic field applications. The new 5D Mark III is also equipped with Canon's EOS Integrated Cleaning System, featuring a Self Cleaning Sensor Unit with a fluorine coating that repels dust and dirt particles. Canon-Exclusive DIGIC 5+ Imaging ProcessorThe EOS 5D Mark III's new DIGIC 5+ Imaging Processor is 17 times faster than the DIGIC 4.The EOS 5D Mark III uses that extra speed not only for improved image quality, but also to add no less than nine new features that do not exist on the 5D Mark II. These new features include six fps continuous shooting, HDR and Multiple Exposure modes, in-camera RAW processing, a comparative playback function, Scene Intelligent Auto mode, two forms of movie compression, and support for high-speed UDMA 7 Compact Flash memory cards.Another extremely valuable feature enhanced by the DIGIC 5+ Imaging Processor is the EOS 5D Mark III's choice of reduced resolution M-RAW (10.5 megapixel) and S-RAW (5.5 megapixel) recording modes. These settings are particularly useful to wedding photographers for candid photos that do not require the EOS 5D Mark III's 22 megapixel full resolution, because they take up less space on the memory cards and speed up post-processing without losing the critical benefits of RAW image data, such as highlight and shadow control as well as white balance adjustment. M-RAW and S-RAW also preserve the full field of view rather than cropping the image or resorting to JPEG mode to reduce resolution. High-Performance 61-Point High Density Reticular AFFor still photographers, Canon has included its new 61-point High Density Reticular AF System, originally introduced with the top-of-the-line EOS-1D X professional camera. A significant advancement over previous 5D-series AF systems, the new 61-Point High Density Reticular AF included in the EOS 5D Mark III is the most sophisticated SLR AF system Canon has ever released. All 61 points are manually selectable and sensitive to horizontal contrast with maximum apertures larger than or equal to f/5.6. The camera's twenty one focusing points in the central area are also standard precision cross-type and effective with maximum apertures larger than or equal to f/5.6. The center five points are ultra-high-precision diagonal cross-type points for maximum apertures larger than or equal to f/2.8. The 20 outer focusing points function as high-precision cross-type points with maximum apertures larger than or equal to f/4.0. Other innovations of the new 61-point High Density Reticular AF include expanded AF coverage area, superior focusing precision and low-light sensitivity to EV -2, and greater low-contrast subject detection capability compared to earlier EOS AF systems. (See image below for AF point configuration)All AF functions now have their own menu tab for quick and easy access (formerly AF custom functions in previous EOS models). A new AF Configuration Tool allows for customized setting of tracking sensitivity, the acceleration and deceleration of tracking subjects, and AF point auto switching, all of which are easily accessed and adjusted via the new AF menu tab. A built-in Feature Guide advises photographers on which settings to use according to subject matter. The EOS 5D Mark III uses the same high-performance AI Servo III AF tracking algorithm as the flagship EOS-1D X professional DSLR. This new feature works together with the 61-point High Density Reticular AF system to provide superb tracking performance that blends very well with the new camera's 6 frames-per-second high-speed continuous shooting capabilities. Similar to the AF point selection options offered in the EOS 7D and EOS-1D X camera models, the EOS 5D Mark III offers six AF point selection modes: Spot, Single Point, Single Point with surrounding four points, Single Point with surrounding eight points, Zone selection and Automatic AF point selection. iFCL MeteringComplementing the EOS 5D Mark III camera's 61-point AF system is Canon's 63-zone iFCL dual layer metering system. The 'FCL' stands for 'Focus, Color and Luminance,' and references the fact that the metering system not only measures color and luminance data, but also analyzes the data provided by each point of the AF system. Canon's iFCL metering keeps exposure levels stable from shot to shot, even as the light source changes. The camera's autofocus information is also used to help determine which area of the scene is of greatest importance in determining exposure.HDR ModeThe EOS 5D Mark III camera features a built-in HDR mode, merging three images at various exposure levels into a single image, in-camera, for stunning photographs of landscapes and architecture with enhanced tonal gradation beyond the range of the naked eye. The exposure levels in the camera's HDR mode can be set to cover a range of up to ñ3 stops, in a choice of five settings: Natural, Art Standard, Art Vivid, Art Bold and Art Embossed providing unique visual effects. Individual source images can be saved as separate files, and the HDR mode has an optional automatic alignment function that can be useful for hand-held shooting. The EOS 5D Mark III's standard Auto Exposure Bracketing function has been upgraded to allow for up to seven exposures per sequence, and exposure compensation can now be set for up to +/- 5EV.Multiple Exposure ModeThe EOS 5D Mark III is the second EOS Digital SLR after the EOS-1D X to feature Multiple Exposure capabilities with the ability to combine up to nine individual images into a single composite image, with no need for post-processing in a computer. Four different compositing methods are provided for maximum creative control, including Additive, Average, Bright and Dark. Compositing results can be viewed in real time on the camera's LCD monitor, and there is a one-step Undo command that allows photographers to delete an image and try again if desired. The EOS 5D Mark III camera's Multiple Exposure mode even allows photographers to specify a previously captured RAW image as the starting point for a new Multiple Exposure composite image, or shoot continuously when photographing moving subjects.Comparative PlaybackA new feature seen for the first time in the EOS System on the 5D Mark III is Comparative Playback allowing photographers to display two images side by side on the camera's 3.2-inch LCD screen. The images can be displayed with a histogram to check exposure levels, or magnified to check for focus or facial expressions.Durability, Reliability and Other FeaturesThe EOS 5D Mark III features a rugged camera body with magnesium alloy body covers and a stainless steel lens mount. The new camera also has dust- and moisture-resistant design with improved gaskets and seals. Although not quite as weatherproof as an EOS-1D-series camera, the EOS 5D Mark III does feature improved weather resistance over the EOS 5D Mark II model. The EOS 5D Mark III's newly developed shutter unit has a durability rating of 150,000 exposures, and shutter release lag time has been reduced to 59 milliseconds, making the shutter button very responsive. Canon's locking mode dial is standard on the new model and a new custom function allows photographers to shut off other dials to prevent inadvertent operation.The EOS 5D Mark III uses the same LP-E6 lithium-ion battery pack as other popular EOS cameras like the 5D Mark II, 7D and 60D. Battery life is estimated at 950 exposures at normal temperatures, an improvement of 100 exposures more than the EOS 5D Mark II. The EOS 5D Mark III body weighs approximately 33.5 oz. with a battery installed, and the dimensions are approximately 6.0 x 4.6 x 3.0 inches. The EOS 5D Mark III incorporates Silent shooting modes, available for low-speed continuous shooting as well as single exposures. This feature is ideal when photographing in quiet environments. For better file management especially when working with multiple cameras, the new model also supports custom file names. There is also a new image rating feature that lets photographers rank their photos from 1 to 5 stars for quick editing. The EOS 5D Mark III features a 3.2-inch Clear View II LCD screen with 1,040,000 dot resolution. This is the same screen that's used in the top-of-the-line EOS-1D X. The camera's optical viewfinder has been upgraded to approximately 100 percent coverage, and it features an Intelligent Viewfinder display with an optional grid on demand. The EOS 5D Mark III also has a built-in Dual Axis Electronic Level that can be displayed on both the LCD screen and the optical viewfinder. The EOS 5D Mark III accepts both Compact Flash Type 1 and SD/SDHC/SDXC memory cards in a dual card slot configuration. Three recording methods are supported: Record the same data to both cards, record different file sizes or types to each card, or automatically switch to the second card when the first card is full. AccessoriesThe EOS 5D Mark III DSLR also has a number of new optional accessories, including the new Canon Wireless File Transmitter WFT-E7A featuring wireless LAN support for 802.11 a/b/g/n signal protocols for various network environments. The WFT-E7A connects to the camera through its USB port and includes a built-in gigabit Ethernet connection, time syncing for multiple cameras on the same network, FTP mode, EOS Utility mode, WFT Server mode and Media Server mode. With this new WFT model, professionals can synchronize clocks on multiple cameras and use the unit to support linked shooting when utilizing multiple cameras. In addition, Bluetooth-compatible equipment can be easily linked to the device as well.The EOS 5D Mark III also has an optional Canon GPS Receiver GP-E2, which can be connected to the camera via the accessory shoe or a USB cable. With a GPS logging function built-in, the GP-E2 will log latitude, longitude, elevation, and the Universal Time Code – and allow viewing of camera movement on a PC after shooting. With its built-in compass, the GP-E2 receiver will also record camera direction when shooting, even when shooting vertically. The Canon GPS Receiver GP-E2 is compatible with the EOS-1D X and EOS 7Di as well as the EOS 5D Mark III.ii Battery Grip BG-E11 is an optional accessory for the EOS 5D Mark III that accepts one or two LP-E6 lithium-ion battery packs or a set of six AA-size batteries. This new grip has a multicontroller and a multifunction (M.Fn) button together a with a full set of grip controls for easy operation when shooting portraits or other vertical format photos. The BG-E11 is made from sturdy magnesium alloy and has the same degree of weather resistance as the EOS 5D Mark III. Speedlite 600EX-RTIn addition to the EOS 5D Mark III, Canon is also announcing the first professional Speedlite on the market with a built-in wireless radio transmitter, the new Speedlite 600EX-RT. The new Canon Speedlite 600EX-RT is the flagship model in the Speedlite line, ideal for wedding portrait and photojournalism. Compatible with all EOS Digital SLRs, this new model eliminates the need for accessory radio slave units and their inherent limitations. Speedlite 600EX-RT features Master-Slave two-way transmission, letting the photographer control the Speedlite settings directly from the "Master" camera.Radio-based Wireless E-TTL can be performed with up to 15 Speedlite 600EX-RT "slave units", used off-camera up to 98.4 feet (30m) away, and triggered by either a "Master" 600EX-RT on-camera, or the optional new Speedlite Transmitter ST-E3-RT. Used with the EOS 5D Mark III or EOS-1D X, up to five groups of flashes can be completely controlled, independently, off-camera. And, it remains fully compatible with Canon's legacy optical-based Wireless E-TTL technology, for users already committed to existing EOS Speedlites. The Speedlite features enhanced weather-resistant construction – matching that of the EOS-1D X camera body – and a more reliable electrical contact. The flash head zoom range now reaches from 20mm to 200mm.The Speedlite also allows remote shutter release of a single EOS camera, or Linked Shooting (simultaneous firing of up to 15 cameras, when one "Master" camera is fired), and includes gelatin filters and a dedicated filter holder to help photographers match ambient light. Speedlite Transmitter ST-E3-RTCanon is also introducing the new Speedlite Transmitter ST-E3-RT. Providing full support of Canon's new radio-based wireless flash technology, the new ST-E3-RT can control up to five groups of flashes, up to 98.4 feet (30m) from the camera. The remote shutter release capability enables photographers to either fire a single camera remotely (by pressing a button on the ST-E3-RT), or to fire up to 15 EOS cameras with Canon's Linked Shooting feature. Making it easy to control and adjust, all of the Speedlite Transmitter features are accessible through the Flash control menu of the EOS-1D X and EOS 5D Mark III cameras.Pricing and AvailabilityThe Canon EOS 5D Mark III Digital SLR camera is expected to be available at the end of March 2012 and will be sold in a body-only configuration at an estimated retail price of $3,499.00. The EOS 5D Mark III will also be available with the EF24-105mm f/4L IS USM zoom lens in a kit for an estimated retail price of $4,299.00. The Wireless File Transmitter WFT-E7A is scheduled to be available by the end of April 2012 at an estimated retail price of $849.99. Availability for GPS Receiver GP-E2 is expected by the end of April 2012, with an estimated retail price of $390.00.Battery Grip BG-E11 is scheduled to be available at the end of April 2012 for an estimated retail price of $490.00. The Speedlite 600EX-RT and Speedlite Transmitter ST-E3-RT are also scheduled for end of March 2012 availability at estimated retail prices of $629.99 and $470.00 respectively.Post originally from: Digital Photography Tips. Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips. Canon EOS 5D Mk III – First Look |
Posted: 01 Mar 2012 10:31 AM PST Great photographers always have a knack for making their work look effortless and their subjects look natural. Wedding and portrait photography may look easy enough, bit it can be extremely hard work albeit extremely rewarding. To capture the joy and essence of someone’s persona takes great skill and determination. An exemplary photographer who makes wedding and portrait photography look is easy is Seshu who is today's guest on "3 Minutes with…" 1. Describe your photography in 100 words or less. I would like to think that my photography is about two very basic elements: light and life. My approach to weddings or portraits is philosophically the same – allow my subjects to get comfortable and they in turn allow me in to their lives. As a documentary photographer, I choose to participate rather than merely observe and capture emotionally charged moments.  2. What gear/software do you use? Ever since my Canon camera was stolen out of my high-school locker, I have been a Nikon photographer. I prefer to work with FX bodies but an older DX body like the D300 is just fine. I depend more on my lenses. I love the 35 f/2, 50 f/1.4, 85 f/1.4, 17-35 f/2.8 and the 70-200 f/2.8. I wish I got a lot more use out of my 105 f/2.8 (macro), though. They are all Nikons. I have a couple of Nikon SB900′s that I use off-camera and trigger using PocketWizard Mini TT1/Flex TT5 or Paul C. Buff’s CyberSync transmitters and receivers. All of these sit securely in my numerous ThinkTank photo bags and rolling cases. As far as software is concerned, I can’t live without CameraBits’ PhotoMechanic to cull my images. After the images are selected I send them through Lightroom or Photoshop depending on how many there are to process.  3. What's one quick tip that you'd give people interested in wedding & event photography? I am going to be a rebel and give you two quick tips. One, like any art form, you’ve gotta go out and practice and practice a lot. Make creative mistakes and learn from them. Take your RAW files and put them side by side and compare them. Look at the metadata and see how under-exposing or over-exposing a scene helped or hurt you. Practice makes making images intuitive and that’s what you want to do … shoot from the heart and give it your all. Two, while it is art, it is also a business. Learn to value your time, your creative skill-set, your experiences, your products. Because if you don’t value what you do, you can’t expect anyone else to place that much value in it either. At that point, it becomes a hobby and that’s ok, if that’s what you want it to be.  4. What 3 photography sites blogs do you recommend? For me David DuChemin’s Craft & Vision eBooks is a daily reminder of WHY I do what I do. My friends Rob & Lauren Lim have taught me a lot about photo editing and album design through their website Photography Concentrate. And lastly, bias aside, I would love it if people checked out my site for photographers called Tiffinbox. I invite guest bloggers to post articles as often as they want on topics that they feel most passionate about. To view Connecticut-based Seshu’s wedding photography visit seshu.net. His children’s portraiture can be found at seshuportraits.com. He also has a dedicated website for headshot portraits. Post originally from: Digital Photography Tips. Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips. 3 Minutes With Photographer Seshu |
Posted: 01 Mar 2012 06:34 AM PST While the official version of Lightroom 4 is not out yet, I feel comfortable pointing out one change that is sure to make it in the final product; the ability to change white balance while using the Gradient Filter or Adjustment Brush. I have been waiting for this feature for a while to help balance scenes with two different light sources. Until now, it has been easiest (at least in Lightroom and not going into Photoshop) to tend toward a blue cast, for instance, by choosing a tungsten or fluorescent light source and gradually backing out the blue by changing the blue saturation. The results were marginal at best and often I went into Photoshop to complete the work anyway. With the introduction of this ability (along with the option to change Moiré, Noise and Sharpness for the masked area) comes a new level of control and balance that is very welcome. Often the changes I am looking for are broad and can be painted with the Gradient Filter and if a more exacting cleanup is needed, the Adjustment Brush has the same controls. Let me show you how it works in practice. I'll start with this image of a romantic dinner setting on the beach out front of Velas Vallarta in Puerto Vallarta, Mexico shot last night. (Click on images for larger versions.) This shot was taken with a Canon 7D and Canon EF 10-22mm lens. The settings were ISO 100, 10mm, f/10 and 1/40th of a second. I used a Singh-Ray Daryl Benson ND-3 Reverse Gradient filter to hold the sun's brightness in check.  The white balance, chosen by the camera at time of shooting is 5150, which works well for the sky and the sun as it sets. I want to preserve that aspect and coloring. But the chairs and table cloth show an obvious tint from the shade light cast on them from reflected sunlight. What I do next is to open the Gradient Filter tool and choose a transition from bottom to top that just covers the water and fades marginally.  My default is set to increase the Exposure by a stop and this helps with the lighting. So far so good and I like the balance. Now I start to play around with the color temperature. It is the first slider on the right, labeled "Temp". I want to remove the blue cast and find a good medium. I settle on 81 for the Temperature, a pretty big slide toward yellow (or a higher temperature on the Kelvin scale).  What this has done is warm up the foreground and take away much of the blue cast. The reason I went this route and did not instead change the overall image temperature, is because I wanted to preserve the blue in the sky. Changing the overall image temperature would have removed the blue, which I will later saturate a bit more to match what I saw that evening. Further, the tint is a little too magenta for my liking. I create a second gradient that is tightly narrowed to the line between the sand and the sea. I do this because when I change the tint for my original gradient, the sea becomes too green. With this second crop, I only adjust the tint to -41 to remove the magenta from the lower half.  One last step in this temperature and tint realm. Because of that gradient, the silks around the posts have a two tone look; the top is more magenta and the bottom is more green. I want to balance this out. So I switch to the Adjustment Brush and, using the Auto Mask feature, I paint in the bottom halves of the silks and adjust the tint to 32 to balance the scene.  With a few more adjustments to the sky and overall exposure, I end with the final product:  Here is one more example from the previous evening's sunset. Start:  Add Gradient Filter and some exposure (the blue in the water is now more obvious):  Remove the color cast by adjusting Temp:  Final image after more adjustments:  It's one more reason why Lighhtroom 4 is proving to be a useful upgrade from Lightroom 3. Disclaimer: While Velas Vallarta hosted me for this trip to Puerto Vallarta, I always retain full editorial control over what I post and where. Further disclaimer: No, I didn't get to eat dinner on the beach at that nice setting, but sure wish I had! Post originally from: Digital Photography Tips. Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips. The Benefits Of Adjustment Tool White Balance In Lightroom 4 |
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